- Dame Edna, Michael Feinstein square off in critically panned 'All About Me'
- With merger finished, Live Nation Entertainment reportedly begins laying off employees
- Lady GaGa, Kings of Leon tickets on sale throughout the weekend
- Lilith Fair announces first round of presales, onsales for 2010 return
- DOJ official Christine Varney defends Ticketmaster / Live Nation merger
- Philadelphia Phillies' season ticket demands force team to cap sales
- Phish tour maintains zero tolerance stance on ticket resale for summer 2010 concerts
- With attendance down, Golden State Warriors drop ticket prices
- Arizona legislators consider ticket surcharge to help Chicago Cubs build spring training stadium
- Broadway ticket sales skyrocket with the help of four new productions
Ticketmaster / Live Nation merger: Ticketmaster continues media blitz to improve image
For the second time this month, the world's dominant ticket seller is turning to the media to clear up what it believes are misconceptions about its business model.
With its proposed merger with Live Nation in the final stages before a regulatory ruling, Ticketmaster is going on the offensive to polish its image deflect criticism that the company is to blame for sold-out events.
In a commentary piece on MPR NewsQ, Minnesota Public Radio's Web site, Ticketmaster's senior vice president and assistant general counsel Joe Freeman tried to make it clear that artists are more to blame when concerts sell out than Ticketmaster.
"When popular events are placed for sale on our system, consumer demand overwhelms ticket supply and our inventory of tickets can be depleted within minutes (our systems can process and sell thousands of ticket orders within that time)," Freeman wrote, stressing that Ticketmaster doesn't own the tickets its sells; doesn't "hold back" or "divert" tickets to other Web sites; nor does it give preferential treatment to certain brokers. "This challenge is exacerbated when our clients hold back significant amounts of tickets that are not initially (or ever) made available for us to distribute, or when they dictate that the vast majority of tickets be made available via fan club or promotional presales."
He continued, "Again, we do not decide how many tickets will be made available for any event or for a particular presale or general sale; event providers are specifically and solely responsible for deciding the number of tickets provided to Ticketmaster to sell."
During the summer, Ticketmaster Entertainment CEO Irving Azoff was accused of orchestrating a scheme, code named "Project Showtime," where he reportedly funneled premium tickets to certain brokers that he tried to acquire on behalf of Ticketmaster. The dealings occurred a year before Azoff, one of the nation's most influential music artist managers, became CEO.
Freeman, who oversees Ticketmaster's North American government relations program, was reacting to proposed legislation in Minnesota that strengthen the state's ticketing laws, but which could also tie Ticketmaster's hands by requiring it disclose all that are being made available for a particular event.
"When you further consider that an individual ticket request can be as large as six or eight tickets per order -- a limit determined by the event provider and not by Ticketmaster -- it becomes clear why we are unable to satisfy more than a fraction of those fans interested in buying tickets for the most popular events. And that's true even as we make tickets available for sale in strict accordance with our clients' instructions," Freeman wrote.
Last week, Freeman wrote a similar commentary in a Canadian newspaper to try to state its case as the Saskatchewan government looks to strengthen its ticketing rules. While Ticketmaster often responds to criticism, the commentaries mark a more aggressive tone in the company's efforts to spread its message.
"Ticketmaster can be an easy political target, and we make our share of mistakes. But thoughtful and effective public policy cannot be predicated on misunderstandings or misinformation," he added.





Subscribe to this feed
Comments
Comments represent the opinions of users and do not necessarily reflect the views of TicketNews.So, if TM & LN become one, will they be able to wield more influence over acts & managers & promoter to assure that the distibution of tickets is more equitable?
Or, will they be more interested enticing acts only to their venues, thereby diluting market competition or otherwise pushing smaller or public venues into deals that enhance TM & LN's bottom line whileb hurting taxpayer paid for and supported venues?
Without real experience, most of you are completely un-informed. I am a promoter that uses Ticketmaster, and has used them for 1000's of events over the past 20 years.
The Artist, by contract has control of their ticketing, the comps, fan club and pre-sale inventory is decided before the contracts are signed and the show is confirmed.
Ticketmaster can only provide the ticket inventory given them by the promoter and Artist, Ticketmaster has NO say over inventory, fan club pre-sales, or even pricing...
ALL OF THAT, is controlled by the Artist and Promoter of each concert...
Instead of shooting the messengers (Ticketmaster), you guys should target the responsible parties...which are and have always been the artists and their managers...
http://www.hogshaven.com/2009/9/2/1011646/wapost-drops-bombshell-redskins
I blame the venues themselves who absolutely do have influence over distribution of tix.
If you want to talk about 20 years ago I will take you back even further to Springsteen shows at MSG in the late 70's where box office employees shipped 30K tix to those who had paid them off. That's the problem that's never been addressed and it has lots to do with TM since they distribute them. TM has influence over anyplace that can print its tickets because they are huge, there is no one else I would want selling my tix.
The comment on letting venues sell before TM is right on target too, fact is venues dont even sell tix on the opening day of public sales to facilitate this whole scenario. Everyone is paid off, thats life.
That was then very few tix are now sold directly through the venues. Payoffs r always a concern. But accusing venue emoyees of being responsible for todays ticketing issues is disengenuous.
Randy is 100% correct Ticketmaster gets their tickets after the promoter,venue, band and band management pulls the Tickets they need. This includes fan clubs, tour sponsors, venue sponsors, record company, radio promotions, etc. Ticketmaster then sells what is left and the reason why there are good tickets that pop up a few days before the show is because those are the tickets that were not used by the above mentioned.
If "Ticketmaster doesn't own the tickets its sells; doesn't "hold back" or "divert" tickets to other Web sites; nor does it give preferential treatment to certain brokers" then they should have no problem disclosing the exact number of seats onsale for each and every event.
Joe Freeman liar liar pants on fire. The man is gonna lose his license if he keeps on schilling. Ask him to say the same things under oath!
Freeman wrote, stressing that Ticketmaster doesn't own the tickets its sells; doesn't "hold back" or "divert" tickets to other Web sites; nor does it give preferential treatment to certain brokers.
Ask him to say this under oath!
OK Mr Randy...when was the last time you stood in the control room for TM or Live Nation and watched blocks of prime seats disappear ( and don't you dare tell me that, it does NOT happen).I have seen this and it's been going on for more than 25 years. Seriously Randy, why don't you let fans buy tickets at the Box office on the "on-sale" date, then let TM sell on day 2 if you want to be so rightous !
This control room you were in, was it the Cheyenne mountain control room or the tropical island James Bond control room? Or was in the orbital deathray control room? This is very important.
you sir are an ignorant fool. please provide documented proof of what you've seen over the past 25 years. we'd all love to see it.
Dear Fans,
Although Ticketmaster has been set up as the enemy don't think for a second a concert venue, promoter, the band itself and band management are not pulling the strings on ticket inventories. How do you think American Express gets to pre-sale tickets as part of their American Express Concert Series and don't think for a second that Tour Sponsors are not dipping into a few hundred tickets a night either or companies that have venue naming rights are not getting chunks of tickets as well.
As a couple of others noted there are a lot hands in the pie before Ticketmaster is able to get their hands on the tickets.
Fans are really ill informed as to what really takes place before tickets get to Ticketmaster