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Ticketmaster / Live Nation merger: Venue operators and concert promoters join the opposition
Following the lead of several consumer protection groups and the National Association of Ticket Brokers, several of the nation's prominent independent venue operators and concert promoters have banded together to oppose the planned merger of Ticketmaster and Live Nation.
In an email being circulated to fans and throughout the live entertainment industry, titled "Concert Fans Beware!", the group of venue operators and promoters urge people and fellow industry members to oppose the proposed deal because it could severely the concert landscape.
"There's a train wreck about to happen and consumer groups say YOU will be the victim - if the two most powerful corporate interests in the live concert business get their way. But you can help stop the merger of Ticketmaster and Live Nation. The government needs to hear from music fans now. Tell the Department of Justice that you're against these monopolies amassing illegal power over consumers, before it's too late," the email states.
The lengthy email gives the online address at the Department of Justice (DOJ) to write into in order complaints, and it details many of the opinions offered by other groups, such as the American Antitrust Institute, that have opposed the merger. The email also touts the anti-merger Web site TicketDisaster.org.
The venues and promotion companies that signed the email are Minnesota's First Avenue; Washington DC area stalwarts The 9:30 Club, Merriweather Post Pavilion and The Black Cat; Jam Productions; Metropolitan Talent; Another Planet; Frank Productions; Stone City Attractions; and Rams Head Live.
Audrey Schaefer, spokesperson for 9:30 Club and one of the organizers of the email, told TicketNews that the various companies began sending it out through their mailing lists last week, and she hopes it will reach close to 2 million music fans and industry players. So far, more than 2,000 people have written into the DOJ with their opinion about the merger (the email contains a "cc" function that allows Schaefer and others to monitor the responses).
"I've spoken to a lot of people, and it seems like the only two parties in favor of this deal are Ticketmaster and Live Nation," she said. "We launched this effort because it seems like the people who will be most affected by this merger are the ones with the least amount of information about it."
The famous Washington DC nightclub, and its owner Seth Hurwitz, is currently in litigation against Live Nation on antitrust grounds separate from what Ticketmaster and Live Nation are being investigated for by the DOJ.
Dante Ferrando, owner of Black Cat, left Ticketmaster as the club's ticketing agent and signed with Ticket Alternative in part due to the merger, and he told TicketNews that independent club owners and promoters should oppose the deal because their competitive information could be compromised. "No one is going to trust that [Ticketmaster and Live Nation] are going to keep all of the data and records separate for all of these venues and promoters."
Schaefer agreed, using an experience she had after buying Bob Dylan tickets from Ticketmaster. After buying the tickets, she began receiving emails from Ticketmaster alerting her to when he was coming again to her area, but since Dylan might use different promoters for various shows, those promoters might be able to obtain that customer data which they could then use to their own advantage. A combined Ticketmaster and Live Nation would allow them access to an unprecedented amount of competitor data.
"The concept of there being a Chinese wall in all of this is a fairy tale," Schaefer said.
She added that possible concessions that the two companies are considering, such as bringing in Comcast Spectacor or Ticketmaster selling its Paciolan primary ticketing subsidiary, would not do enough to level the monopolistic playing field, but Schaefer said there are some moves that could possibly help, none of which would likely gain acceptance from Ticketmaster and Live Nation.
Among her suggestions, Ticketmaster should divest its Front Line Management division, and Live Nation should do the same with its "360 degree deals" with artists such as Madonna and Jay-Z; allow promoters to choose whatever ticketing company or ticketing platform they want to use for their shows; don't allow Ticketmaster or Live Nation to promote any concerts by acts they manage; divest all entities in markets where the two have a monopoly; and not allow Ticketmaster and Live Nation to make total tour deals, where artists are required to use them for all ticketing/promotion for an entire tour – the two would have to bid on individual locations and dates.
"When you own the venues and control the artists, independent promoters can't compete," Schaefer said. "Just selling Paciolan will do nothing; Ticketmaster was already far and away number one in the ticketing market before they bought it, not to mention that they only bought it a couple of years ago."




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Comments represent the opinions of users and do not necessarily reflect the views of TicketNews.At TicketBiscuit, we’ve stood against this merger since the beginning, for many of the reasons outlined in the above article. We established the $10 Million Music Liberation Fund earlier this year to encourage promoters and venues to keep their ticketing operations independent, and the fund has been very successful in doing so.
We’re continuing our efforts. The Music Liberation Fund will continue into 2010, and our executive team will continue cooperating with the DOJ as they gather information about the implications of this merger on the live entertainment landscape in America.
In the meantime, I do encourage all venues and promoters who are looking for options to explore what’s out there. There are several truly independent and proven operators, like TicketBiscuit, InTicketing, and others, who can offer all of the features and reliability of the market behemoth, without the exorbitant fees and ethically questionable historical behavior.
For more info about the Music Liberation Fund or TicketBiscuit, check out www.musicliberationfund.org, www.ticketbiscuit.com, or call us at 866.757.8330.
Viva La Musica!
Why don't we see any major venues voicing opposition to this deal? Because they're SCARED, that's why. They're afraid to make enemies with Azoff and Rapino and then have the deal ultimately approved. That fact alone should keep the government from approving this transaction.
I'd like to see ONE MAJOR NBA OR NHL ARENA STAND UP AND TELL THE FEDS about what kind of leverage the combined entity will have over them if the merger occurs.
And by the way, everyone in this business knows that the Paciolan system couldn't effectively compete with Ticketmaster. That's why they caved and sold out. The thought that a Paciolan-powered company could be a viable competitor is laughable.
In Ticketing CEO has filed statements with the Future of Music Coalition against the merger. InTicketing.com is independently owned and has built their own software from scratch which is market-proven with over 10 yrs in business and serving ten's of thousands of events across the US and globally. While Ticket Alternative may provide lower fees than TM, they are still using Paciolan and hence not a true alternative and data is still on the TM network. Venues seeking to break free from the TM/Livenation stronghold and protect their patron data and increase their rebates while lower fees to patrons have In Ticketing to turn to for online ticketing services, box office software, mobile ticketing, scannable cell phone tickets, one click facebook & twitter posting and much more. Get more info: (415) 256-8499
AEG criticized the merger earlier this year (http://www.businessinsider.com/aeg-ceo-blasts-live-nation-ticketmaster-m...). They run/own quite a few major venues including NBA/NHL venues.
It isn't even as good as it was two years ago